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Blake Edwards' period comedy: Singer Victoria Grant (Julie Andrews) is broke in Paris in 1934. She meets broke and openly gay Toddy (Robert Preston). He has the idea to transform her into a Polish Count and then present her as a female impersonator. She's very successful and apparently everyone thinks she's a guy. The gay love ambiguities are fully explored.
It follows the story line of its German predecessor Viktor und Viktoria fairly faithfully, but updates the style; in my opinion not a patch on the earlier version, though.
There is an interesting travesty cabaret in a club scene; with four performers on stage, each of them has a male outfit on one side and female on the other; two of them are facing the camera in the still, and two are facing away. It's cleverly enough done.
Robert Preston himself takes the stage in a longish (and rather pointless) drag routine.
HF 1999
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