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A lightweight farce. A wealthy industrialist (Auteuil) is caught in an incriminating tabloid photo with his supermodel mistress (Taglioni). To deflect a ruinous divorce, he claims she is really with the third man in the photo, a humble valet (Elmaleh) and sets up a ruse to prove it. Hijinks ensue, virtue is rewarded, and arrogance gets its comeuppance. The genetic female leads are all lovely; Taglioni's character is particularly appealing.
There is a brief final scene that punctuates the film: Auteuil is standing by the side of the road having just been dumped by his mistress. A tarty prostitute with deep cleavage and an even deeper voice emerges from the bushes just as a waiting paparazzi snaps a photo, which appears splashed across a tabloid page in the film's closing image, a reprise of the event that triggered the crazy plot. The transgender content is very brief, with one short sentence of dialogue. It's all over in an instant. The identification of Thierry as the prostitute is unconfirmed. The credits seem to list the cast in order of appearance, and the prostitute is the last character in the film (but why give such a minor character a name?)
AKA The Valet.
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